Documents Similar To JEPPESEN the Style of Palestrina and the Dissonance. Christensen Partimento. Uploaded by. Jaume Bordas. Laborintus II (Luciano. and the Dissonance. Knud Jeppesen lenhesen The Style of Palestrina. In his introduction to this book, Edward J. Dent describes Palestrina as “a composer who. Author Knud Jeppesen proceeds to explore Palestrina’s music in of the evolving concept and treatment of dissonance before Palestrina.

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Previous owners name on inside of front cover. Some shelfwear and light sunning to spine but minimal damage from handling.

With an introduction by Edward J. Among his accomplishments were the discovery of ten previously unknown masses by Palestrina in Following his retirement inJeppesen resided in Italy, enabling him to make several discoveries in Italian libraries culminating in palestrima magnum opus, La frottola —70a detailed study and bibliography of frottolethe leading genre of Italian popular, secular songs in the late fifteenth and early sixteenth century.

Broad Street Book Centre Published: He passed the organist exam at the Royal Danish Conservatory of music in The ‘Palestrina style’ now serves as a basis for the teaching of Renaissance counterpoint.

He found employment in Berlin inbut returned to Denmark because of the outbreak of war.

Jeppesen demonstrated early musical talent at age 10 when he was first encouraged by Hakon Andersen and Paul Hellmuthalthough he was largely self-taught. He is known for well-crafted songs set to Danish texts, church music, and motets.


Binding tight and pages clean and bright. Knud Jeppesen 15 August in Copenhagen — 14 June in Risskov was a Danish musicologistcomposerand writer on the history of music. Buy with confidence, excellent customer service! He also wrote cantatas, organ music, and an opera, Rosaura, which was performed by the Royal Danish Theatre on September 20, Completing primary education inhe first worked in Elbing and Liegnitz Eastern Germany as an opera coach and conductor.

Covers very slightly nicked at 3 of 4 fore-edge corner tips, o. He was also a member from of the Italian Accademia dei Lincei.

The Style of Palestrina and the Dissonance

This page was last edited on 3 Decemberat Introduction by Edward J. Advanced Book Search Browse by Subject. The reprint with corrections is from the Oxford U.

His doctoral thesis was expanded in and appeared in English in as The Style of Palestrina and the Dissonance — a work which The New Grove cites as being the “most distinguished and influential example of stylistic analysis at this time”. From Wikipedia, palewtrina free encyclopedia. Jeppesen engaged in much primary research — locating early manuscript and print jeppessn of old scores and preparing editions with annotations and commentary.

Jeppesen’s early efforts at composition were poorly received and he turned away from composition inonly to pallestrina after a fifteen-year hiatus.

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No ink names, tears, chips, etc. His style incorporates his knowledge of early counterpoint but also the style of late Viennese romantics including Gustav Mahlerto whom he was introduced by Guido Adler.

The Style Of Palestrina and The Dissonance by Jeppesen, Knud

From until his death he was active in the International Musicological Society, serving as president from to From to Jeppesen was Nielsen’s closest associate, and Jeppesen wrote several important articles about that composer. Large format paperback, VG. New Music of the Nordic Countries. Paperback, Fine reprint of edition; pp. May not contain Access Codes or Supplements. Ships with Tracking Number!

Catalog Record: The style of Palestrina and the dissonance | Hathi Trust Digital Library

Retrieved from ” https: In White, John David. Jeppesen’s name is invariably associated with the study of musical counterpointparticularly in the style of Palestrinaof whom he was the leading scholar jeppeesn his day.

Sign up to receive offers and updates: Contents in Fine Like New condition. Retrieved 31 July Views Read Edit View history. Inhe was appointed to the new post of professor of musicology at Aarhus Universitywhere he founded in an Institute of Musicology which he directed until

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